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<channel>
	<title>David Leal</title>
	<link>https://davidleal.net</link>
	<description>David Leal</description>
	<pubDate>Fri, 21 Oct 2022 18:06:27 +0000</pubDate>
	<generator>https://davidleal.net</generator>
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	<item>
		<title>Front page</title>
				
		<link>https://davidleal.net/Front-page</link>

		<pubDate>Fri, 21 Oct 2022 18:06:27 +0000</pubDate>

		<dc:creator>David Leal</dc:creator>

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		<description>
	David 
Leal

	(Selected) Exhibitions&#38;nbsp;
(Selected) PROJECTS&#38;nbsp;


	CVIG&#38;nbsp; /&#38;nbsp; Email

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	<item>
		<title>Selected Exhibitions</title>
				
		<link>https://davidleal.net/Selected-Exhibitions</link>

		<pubDate>Fri, 28 May 2021 13:58:53 +0000</pubDate>

		<dc:creator>David Leal</dc:creator>

		<guid isPermaLink="true">https://davidleal.net/Selected-Exhibitions</guid>

		<description>David LealOther ProjectS&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; CV
	
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&#60;img width="5242" height="3494" width_o="5242" height_o="3494" data-src="https://freight.cargo.site/t/original/i/f27a133cfd1f8f32423821422634da22695908758b3c399c23235a3787b0ed6b/EC1.jpg" data-mid="245380063" border="0"  src="https://freight.cargo.site/w/1000/i/f27a133cfd1f8f32423821422634da22695908758b3c399c23235a3787b0ed6b/EC1.jpg" /&#62;
&#60;img width="3890" height="2778" width_o="3890" height_o="2778" data-src="https://freight.cargo.site/t/original/i/6d5c9c8dc83141c9391c8076bd6461f2e8165f04b0f9fc86d70cabe01fb4b262/5a.jpg" data-mid="245380061" border="0"  src="https://freight.cargo.site/w/1000/i/6d5c9c8dc83141c9391c8076bd6461f2e8165f04b0f9fc86d70cabe01fb4b262/5a.jpg" /&#62;
&#60;img width="4032" height="2880" src="//freight.cargo.site/w/1500/q/75/i/8f9ce27bfb0dbdf97c42a7849a81061e6b8c27ddbebdc7f0c4e58743828c89d4/2.jpg"&#62;

	Eye contact, 2025at teodoro w., Porto

﻿﻿﻿Lost Pair (2024) Contact lens, carpet, aluminium, 7x15x1cm





﻿﻿﻿BW Pálmatórias (2025) Digital print on acetate, aluminium, contact lens, Series of 2, 21x30x5cm


﻿﻿﻿Filters (2025) Etchings on 250gms paper

﻿﻿﻿Manus (2024)Eyelid lens, latex glove, plaster, fluorescent light, 100x7x5cm

﻿﻿﻿Constellation of care (2023) Latex gloves, nails, dimensions variable

﻿﻿﻿Not the flames of hell (2025)&#38;nbsp;Inject print of acetate, 42x42cm

﻿﻿﻿Eye (2024)&#38;nbsp;Glass, copper, solder, 35x42cm

﻿﻿﻿Lens (2024) Glass, copper, solder, 
21x30cm

﻿﻿﻿﻿Amblyopia (2025) Glass, lead, 30x40cm

﻿﻿﻿﻿Pneuma (2025) Fabric, perfume bottles, wood, dimensions variable

Installation shots: Teodoro W.




	
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/19872008bf9f7c7fda4c533ceb7c883e8a6d821deb16d358ec6c7a00e54ec61b/523532880_706271758946643_4522069301109258565_n.jpg" data-mid="245379762" border="0"  src="https://freight.cargo.site/w/1000/i/19872008bf9f7c7fda4c533ceb7c883e8a6d821deb16d358ec6c7a00e54ec61b/523532880_706271758946643_4522069301109258565_n.jpg" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/bcb6d5932f4f5851d3a93b10c2427d75403b6f73c229d8fa582e261a830b3264/12-MaidenVoyage.jpg" data-mid="245379920" border="0"  src="https://freight.cargo.site/w/1000/i/bcb6d5932f4f5851d3a93b10c2427d75403b6f73c229d8fa582e261a830b3264/12-MaidenVoyage.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/271f669b46654b31616654825a448f24a865614297274a6fcce30e22e8cd1505/22-MaidenVoyage.jpg" data-mid="245379921" border="0"  src="https://freight.cargo.site/w/1000/i/271f669b46654b31616654825a448f24a865614297274a6fcce30e22e8cd1505/22-MaidenVoyage.jpg" /&#62;

	Maiden voyage, 2025at Buraco, Lisboa


Seer (2024)Glass, copper foil, solder, cable30 x 40 cm

Seer (2024)Glass, copper foil, lead, solder, cable30 x 40 cm

F-ilm (2024)Contact lens cases, 35mm film, nailsDimensions variable
Installation shots: João Ricardo Costa and João Bragança Gil



	
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/bb2a42fb768be84002f85c79e30a2f434d90a5e2dfb857fb4244fcf5137a1a9c/01.jpg" data-mid="227019169" border="0"  src="https://freight.cargo.site/w/1000/i/bb2a42fb768be84002f85c79e30a2f434d90a5e2dfb857fb4244fcf5137a1a9c/01.jpg" /&#62;
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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/73ad0584610a197a976d41987eeb6eec15b8e269a423a418c5fd91fc6c3521c1/06.jpg" data-mid="227019171" border="0"  src="https://freight.cargo.site/w/1000/i/73ad0584610a197a976d41987eeb6eec15b8e269a423a418c5fd91fc6c3521c1/06.jpg" /&#62;
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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/11f3d5db1221cb1a34325e4f186d7839255713c6af6c3dc5e363429482b590b7/17.jpg" data-mid="227019174" border="0"  src="https://freight.cargo.site/w/1000/i/11f3d5db1221cb1a34325e4f186d7839255713c6af6c3dc5e363429482b590b7/17.jpg" /&#62;
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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/9846b788d712246f45042a0a5583df2da6439947c13a0c2600a9d72e0b5759f7/16.jpg" data-mid="227019314" border="0"  src="https://freight.cargo.site/w/1000/i/9846b788d712246f45042a0a5583df2da6439947c13a0c2600a9d72e0b5759f7/16.jpg" /&#62;
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&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/840eedba427e5c7166ccad33d4c12b4ab15b0b8a8b7651efb5e7d93ea77f97f6/23.jpg" data-mid="227019177" border="0"  src="https://freight.cargo.site/w/1000/i/840eedba427e5c7166ccad33d4c12b4ab15b0b8a8b7651efb5e7d93ea77f97f6/23.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/de2d50fc713b607c1c90d90cda5f1fc18b6c7bcfb5b55307ae754666cfb27fbc/22.jpg" data-mid="227019176" border="0"  src="https://freight.cargo.site/w/1000/i/de2d50fc713b607c1c90d90cda5f1fc18b6c7bcfb5b55307ae754666cfb27fbc/22.jpg" /&#62;

	
The nerve, 2024at salto, Lisboa
Curated by David Revés and Nicolai SarbibHit/Touch/Strike (A Nerve) (2024)Video loop
Piercing the veil (2024)Paint on velvetSeries of 6, 25 x 31 cm

Angel in your eye (Ophanim 1, 2 &#38;amp; 3) (2024)Metal, copper and fundoscopic examsDimensions variableImpulse (2024)Incubator and tesla coil
80 x 130 x 50 cm

Eyes wide shut (The prop), 2024Digital print on plastic, leather glove, wood80 x 70 x 5 cmSpasmus Spei (2024)Polylactic acid, LED lightsSeries of 6, 15 x 25 x 4 cm



Installation shots: Photodocumenta







	
&#60;img width="3213" height="4016" width_o="3213" height_o="4016" data-src="https://freight.cargo.site/t/original/i/9ae69b51b1afeca5bbfdc97ef58141b350b17ef7d2057d1a8d0ddfb1d5fc96cc/1.jpg" data-mid="218939795" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/9ae69b51b1afeca5bbfdc97ef58141b350b17ef7d2057d1a8d0ddfb1d5fc96cc/1.jpg" /&#62;
&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/bc1bf415f637de5ad1b5f84698e02f840407c5997b6c81434677053d77a9e696/2-min.jpg" data-mid="218940464" border="0"  src="https://freight.cargo.site/w/1000/i/bc1bf415f637de5ad1b5f84698e02f840407c5997b6c81434677053d77a9e696/2-min.jpg" /&#62;
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&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/a69a11bd17c753c19d8d7a9ef308210093c4ca9e7195d296f8e3ccbea0efd640/1-min.jpg" data-mid="218940297" border="0"  src="https://freight.cargo.site/w/1000/i/a69a11bd17c753c19d8d7a9ef308210093c4ca9e7195d296f8e3ccbea0efd640/1-min.jpg" /&#62;
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&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/6955376efd75c5c8bd7c894df28f594e97d96fc61f5b47799b38f5200559b844/2-min.jpg" data-mid="218941743" border="0"  src="https://freight.cargo.site/w/1000/i/6955376efd75c5c8bd7c894df28f594e97d96fc61f5b47799b38f5200559b844/2-min.jpg" /&#62;
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&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/fe7c47362810e6eb2114a3f2a03e95e11abeee66b18a79e3851ddf9456cd4e3f/1-min.jpg" data-mid="218941684" border="0"  src="https://freight.cargo.site/w/1000/i/fe7c47362810e6eb2114a3f2a03e95e11abeee66b18a79e3851ddf9456cd4e3f/1-min.jpg" /&#62;
&#60;img width="4016" height="6016" width_o="4016" height_o="6016" data-src="https://freight.cargo.site/t/original/i/b92c04dc37e5ac1bdc3a62757d46d800f32749b2286af0942b299a8d1dc59915/6-min.jpg" data-mid="218941689" border="0"  src="https://freight.cargo.site/w/1000/i/b92c04dc37e5ac1bdc3a62757d46d800f32749b2286af0942b299a8d1dc59915/6-min.jpg" /&#62;

	LÂMINA, 2024at casa do comum, Lisbon
With Beatriz BanhaF-ilm (2024)Contact lens cases, 35mm film, nails
Dimensions variableLens (2018)Contact lens and needles on perspex
35x55x5cm
Floaters (2024)Embalming eye caps, needles, magnets, perspex and glassDimensions variable
Night Sight (2023)
Latex glove, fundoscopies, 3D print and electrodes on acrylic 
Dimensions variable


	
&#60;img width="9933" height="14043" width_o="9933" height_o="14043" data-src="https://freight.cargo.site/t/original/i/b70af957543f65903bfecc7921b57e680415c52ff60015e51147acf4cf224cfd/2-min.jpg" data-mid="201392019" border="0"  src="https://freight.cargo.site/w/1000/i/b70af957543f65903bfecc7921b57e680415c52ff60015e51147acf4cf224cfd/2-min.jpg" /&#62;
&#60;img width="9933" height="14043" width_o="9933" height_o="14043" data-src="https://freight.cargo.site/t/original/i/2680f9e3950057ab8c689221513f35e12b21b61f911f35fef7ae8f44187c1cb8/3-min.jpg" data-mid="201392020" border="0"  src="https://freight.cargo.site/w/1000/i/2680f9e3950057ab8c689221513f35e12b21b61f911f35fef7ae8f44187c1cb8/3-min.jpg" /&#62;
&#60;img width="9933" height="14043" width_o="9933" height_o="14043" data-src="https://freight.cargo.site/t/original/i/d77d04a74c3b3af5ae626dc807d57490ffff0fb6367c92b39447d27cc599ce85/4-min.jpg" data-mid="201392022" border="0"  src="https://freight.cargo.site/w/1000/i/d77d04a74c3b3af5ae626dc807d57490ffff0fb6367c92b39447d27cc599ce85/4-min.jpg" /&#62;
&#60;img width="9933" height="14050" width_o="9933" height_o="14050" data-src="https://freight.cargo.site/t/original/i/9eb61770bb34a7d86510677ba860f5961fe447bc1e1f4890de1984a5900f1496/5-min.jpg" data-mid="201392023" border="0"  src="https://freight.cargo.site/w/1000/i/9eb61770bb34a7d86510677ba860f5961fe447bc1e1f4890de1984a5900f1496/5-min.jpg" /&#62;
&#60;img width="14043" height="9933" width_o="14043" height_o="9933" data-src="https://freight.cargo.site/t/original/i/55bee5b92ad1a069ff3c5c59437b68e79a043ab8f191e4895c36ce9bd01e7910/1-min.jpg" data-mid="201392018" border="0"  src="https://freight.cargo.site/w/1000/i/55bee5b92ad1a069ff3c5c59437b68e79a043ab8f191e4895c36ce9bd01e7910/1-min.jpg" /&#62;
&#60;img width="2048" height="1405" width_o="2048" height_o="1405" data-src="https://freight.cargo.site/t/original/i/23f988c4d4a8937a5b05bd46b8e0310d5d30dd3577f35f8c7d288480ea4f0613/jedniezgoda.com_LCA_Confessions_02_WEB.jpg" data-mid="201390639" border="0"  src="https://freight.cargo.site/w/1000/i/23f988c4d4a8937a5b05bd46b8e0310d5d30dd3577f35f8c7d288480ea4f0613/jedniezgoda.com_LCA_Confessions_02_WEB.jpg" /&#62;
&#60;img width="1225" height="1660" width_o="1225" height_o="1660" data-src="https://freight.cargo.site/t/original/i/e403210e2212fe9ff555340f149bea4b0d14281ef89b52cbc57069c7a2f6e769/jedniezgoda.com_LCA_Confessions_06_WEB.jpg" data-mid="201390637" border="0"  src="https://freight.cargo.site/w/1000/i/e403210e2212fe9ff555340f149bea4b0d14281ef89b52cbc57069c7a2f6e769/jedniezgoda.com_LCA_Confessions_06_WEB.jpg" /&#62;
&#60;img width="3508" height="4912" width_o="3508" height_o="4912" data-src="https://freight.cargo.site/t/original/i/32324d3f9e7d55f19610374486ba17d6705ec9acffd8fa12d1348aecc40d9935/10a.jpg" data-mid="201391236" border="0"  src="https://freight.cargo.site/w/1000/i/32324d3f9e7d55f19610374486ba17d6705ec9acffd8fa12d1348aecc40d9935/10a.jpg" /&#62;
&#60;img width="1351" height="1660" width_o="1351" height_o="1660" data-src="https://freight.cargo.site/t/original/i/221d3b6b04309f6cb3e4c4fb0f3550e98961c3b29eb9374e82c6be33af317b0f/jedniezgoda.com_LCA_Confessions_09_WEB.jpg" data-mid="201390640" border="0"  src="https://freight.cargo.site/w/1000/i/221d3b6b04309f6cb3e4c4fb0f3550e98961c3b29eb9374e82c6be33af317b0f/jedniezgoda.com_LCA_Confessions_09_WEB.jpg" /&#62;
&#60;img width="6763" height="4831" width_o="6763" height_o="4831" data-src="https://freight.cargo.site/t/original/i/7e6faf3f94c9ed68af977b36e825e4cb0a135b54b1c2a73d95354669ee3a8d16/SORRY.jpg" data-mid="201391232" border="0"  src="https://freight.cargo.site/w/1000/i/7e6faf3f94c9ed68af977b36e825e4cb0a135b54b1c2a73d95354669ee3a8d16/SORRY.jpg" /&#62;
&#60;img width="1245" height="1660" width_o="1245" height_o="1660" data-src="https://freight.cargo.site/t/original/i/b819a81afd7645ed686d70cfb4287cdef6609d220f4630a4137d756a2a348e50/jedniezgoda.com_LCA_Confessions_07_WEB.jpg" data-mid="201390641" border="0"  src="https://freight.cargo.site/w/1000/i/b819a81afd7645ed686d70cfb4287cdef6609d220f4630a4137d756a2a348e50/jedniezgoda.com_LCA_Confessions_07_WEB.jpg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/d6688ae027f6076d9335730d684f4d20b39131f12f9bfca9b5e96f19ea8645a6/jedniezgoda.com_LCA_Confessions_05_WEB.jpg" data-mid="201390642" border="0"  src="https://freight.cargo.site/w/1000/i/d6688ae027f6076d9335730d684f4d20b39131f12f9bfca9b5e96f19ea8645a6/jedniezgoda.com_LCA_Confessions_05_WEB.jpg" /&#62;

	confessions, 2023at lismore castles arts, Lismore
Curated by Rosa Abbott, with works by Austin Hearne, David Leal and M LissoniPalmatórias (2023)Digital prints on aluminiumDimensions variableTruly, truly, I say to you, unless you eat the flesh and drink the blood, you have no life in you, (2023)Gym bench, prefilled communion cups, wafers, candles, incenseDimensions variableConvoluted (Artificial Sorry &#38;gt; Church Intelligence) (2023)Video, 5m
With the kind support of DGArtes and Calouste Gulbenkian Foundation.

Installation shots:&#38;nbsp;Jed Niezgoda



	
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/4e9c3785a8b600da30f3f76e7e375b70738500c4403d7eb77301a896d1cebc8d/IMG_6902-copy.jpg" data-mid="201389056" border="0"  src="https://freight.cargo.site/w/1000/i/4e9c3785a8b600da30f3f76e7e375b70738500c4403d7eb77301a896d1cebc8d/IMG_6902-copy.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9895a793f71684897fbb899d07721d915d82181ac34e9d0c6ffc8aa365b599d9/Leal_David_ConstellationOfCare_Installation.jpg" data-mid="201389057" border="0"  src="https://freight.cargo.site/w/1000/i/9895a793f71684897fbb899d07721d915d82181ac34e9d0c6ffc8aa365b599d9/Leal_David_ConstellationOfCare_Installation.jpg" /&#62;

	MEANS, 2023at bermondsey project space, London
Curated by Christopher BondConstellation of Care (2023)Gifted latex gloves, photographic paper and eye screws on wallDimensions variableThis installation is made of pairs of gloves, each offered by a different establishment, from pubs to tattoo shops to hospitals. Hung by eye screws, and resembling stars, they surround a photographic paper developed naturally by our closest star, the sun, with an oil paint fingerprint which contains its own constellation.Thanks to all these places who cared to give me a pair.



	
&#60;img width="5568" height="3712" width_o="5568" height_o="3712" data-src="https://freight.cargo.site/t/original/i/558ce6d473b346a5839a21b21b5641c8b2d980fd50ef4954cf7f76abef37e037/_EDU0629-1.jpg" data-mid="186897257" border="0"  src="https://freight.cargo.site/w/1000/i/558ce6d473b346a5839a21b21b5641c8b2d980fd50ef4954cf7f76abef37e037/_EDU0629-1.jpg" /&#62;
&#60;img width="2560" height="3584" width_o="2560" height_o="3584" data-src="https://freight.cargo.site/t/original/i/5d59a3a53a07d9c322a5d2e84fa1c40bfa93aa9d58a125cfbf102e56dbb6e3fa/DSC03596.jpg" data-mid="186896218" border="0"  src="https://freight.cargo.site/w/1000/i/5d59a3a53a07d9c322a5d2e84fa1c40bfa93aa9d58a125cfbf102e56dbb6e3fa/DSC03596.jpg" /&#62;
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&#60;img width="2624" height="3674" width_o="2624" height_o="3674" data-src="https://freight.cargo.site/t/original/i/89bae901305a557f168c7b7970bf39931bd546573b772f6a00b868423ddec7cc/DSC03462.jpg" data-mid="186896215" border="0"  src="https://freight.cargo.site/w/1000/i/89bae901305a557f168c7b7970bf39931bd546573b772f6a00b868423ddec7cc/DSC03462.jpg" /&#62;
&#60;img width="2483" height="3476" width_o="2483" height_o="3476" data-src="https://freight.cargo.site/t/original/i/387a603b23e50d786a698bc51f9752e7b1df9022fc12b6b6809300cce813b376/DSC03585.jpg" data-mid="186896217" border="0"  src="https://freight.cargo.site/w/1000/i/387a603b23e50d786a698bc51f9752e7b1df9022fc12b6b6809300cce813b376/DSC03585.jpg" /&#62;
&#60;img width="2624" height="3674" width_o="2624" height_o="3674" data-src="https://freight.cargo.site/t/original/i/cd07e8ef92a25876d11e51e62638ca59cf861892bc3572c23affdd4dd3d627af/DSC03583.JPG" data-mid="186896216" border="0"  src="https://freight.cargo.site/w/1000/i/cd07e8ef92a25876d11e51e62638ca59cf861892bc3572c23affdd4dd3d627af/DSC03583.JPG" /&#62;
&#60;img width="3674" height="2624" width_o="3674" height_o="2624" data-src="https://freight.cargo.site/t/original/i/46670daa3273675751c9f76c6494a8b52588e4267382c7b45b76d1064b6eecee/DSC03485.JPG" data-mid="186896490" border="0"  src="https://freight.cargo.site/w/1000/i/46670daa3273675751c9f76c6494a8b52588e4267382c7b45b76d1064b6eecee/DSC03485.JPG" /&#62;
&#60;img width="2526" height="3537" width_o="2526" height_o="3537" data-src="https://freight.cargo.site/t/original/i/a4970df0c4e47544b293b23bde167ef1c9ee058463b03fc6f621392bad8f4cc4/readyangel.jpg" data-mid="186896314" border="0"  src="https://freight.cargo.site/w/1000/i/a4970df0c4e47544b293b23bde167ef1c9ee058463b03fc6f621392bad8f4cc4/readyangel.jpg" /&#62;

	EStudo do meio (18+), 2023at carpintarias de são lázaro, Lisbon
With PurgaRed Halos (2023)An installation of two iPhones on two ring light mobile supports. Playing on one is The Line The Light The Movement The Hand The End (2022), a film I made with footage from a porn show I recorded in one of my last shifts at Union, Vauxhall. Playing on the other is a screen recording of my phone glitching when I searched for a painting I couldn’t stop thinking about while recording the footage in Union.Piano (Tríptico) (2023)Video, 4m

Anjo (2015)Oil on canvas120x80cm

	
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Tom of Finland Art and Culture Festival, 2022at Second Home, London
With Ridley Road Project SpaceMourning framing Pleasure (2022)Memorial flags for Queen Elizabeth with images captured inside the gay sauna Pleasuredrome, when the venue decided on the day of the Queen’s funeral to screen the event on their tv’s and offer drinks to the visitors.



	
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	Staying Alive, 2022
at Duplex AIR, LisbonCurated by Francisca Portugal

BEG 1, BEG 2, and BEG3 (2022)Digital print in domestic printer on plastic bagsA customer's monologue (working in a sexshop,
soho 2017) (2020)Audio work 7:30m





	
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/09a779741bf69f40e64ad3e151740505fcdcc2d47627610f011dbd8a1db053f1/IMG_1991-1.jpeg" data-mid="169452104" border="0"  src="https://freight.cargo.site/w/1000/i/09a779741bf69f40e64ad3e151740505fcdcc2d47627610f011dbd8a1db053f1/IMG_1991-1.jpeg" /&#62;
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MELTDOWN, 2022at Ridley Road Project SpaceCurators:&#38;nbsp;Prem Sahib,&#38;nbsp;George Henry-Longley,&#38;nbsp;Laurie Barron and&#38;nbsp;Joe Bobowicz
Contact lens cases from Pleasuredrome sauna’s bin (2019)
Contact lens cases and screws on plastic and perspex





	
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Bloomberg New Contemporaries, 2021at FirstSite Museum, Colchester and South London Gallery, LondonYou are a letter, written not with ink, but with the Spirit, 2019Film, 4mMichelle, a trans woman who started transitioning later in her life, finds in faith the strength to welcome her true self.










Installation shots 1 &#38;amp; 2: Richard IveyInstallation shot 3: Andy Stagg




	
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&#60;img width="2961" height="4146" width_o="2961" height_o="4146" data-src="https://freight.cargo.site/t/original/i/7b42b245d34d1ada179b7178e07ec2db5cc6fc6f86a157d0d40259654d152089/2c.jpg" data-mid="156667243" border="0"  src="https://freight.cargo.site/w/1000/i/7b42b245d34d1ada179b7178e07ec2db5cc6fc6f86a157d0d40259654d152089/2c.jpg" /&#62;

	SPNDRFT, 2021

at ArtSect Gallery, London&#38;nbsp;
https://spndrft.systems/https://www.artsect.xyz/spindrift
Exclamatory, 2021 &#38;nbsp;&#38;nbsp;Digital print on paper, candles, chainsaw chains, slides, 
toilet fresheners, silicone sex torso, acrylic, mirrored chest of 
drawers, iPad, eye examinationsInstallation: Dimensions variablePress release

&#60;img width="3657" height="5120" width_o="3657" height_o="5120" data-src="https://freight.cargo.site/t/original/i/ac7c6f266123e2a310968028aa5bc24506f5e165f68d536f9d6dde9ea674d00c/3d.jpg" data-mid="156667133" border="0"  src="https://freight.cargo.site/w/1000/i/ac7c6f266123e2a310968028aa5bc24506f5e165f68d536f9d6dde9ea674d00c/3d.jpg" /&#62;
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	Entre o Real e a Imagem, 2021
at Casa do Capitão, Lisbon
Curated by CINENOVARest Oration (El Greco), 2020Video, 8mRest Oration (El Greco) imagines a fictitious restoration of a painting while giving it a life of its own. Produced during the pandemic period, while museums are closed to the public, the film suggests a time for broader restoration.Part of the project Speaking in Tongues 2020, a performance-based project devised by Fine Art students of Central Saint Martins developed in a partnership with The National Gallery, London’s Learning &#38;amp; National Programmes.
Installation shots: CineNova Festival



	
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&#60;img width="864" height="588" width_o="864" height_o="588" data-src="https://freight.cargo.site/t/original/i/0b01f9696dcf891fe9075dbec340218961007783ac9836698f2a31ad951cc275/Screenshot-2021-06-01-at-18.43.26.png" data-mid="110110143" border="0"  src="https://freight.cargo.site/w/864/i/0b01f9696dcf891fe9075dbec340218961007783ac9836698f2a31ad951cc275/Screenshot-2021-06-01-at-18.43.26.png" /&#62;

	A HUNTED TIME, 2021
at Casa do Capitão, Lisbon

Curated by Nicolai Sarbib e David Revés&#38;nbsp;FILTERS (or, Sigils, Ichthus, and their liminal smoke), 2021Film, 17m16mm and digitalA ﬁlm about ﬁlters. In the literal way, referring to cigarette ﬁlters and their packaging, and in the metaphorical way, addressing individual’s subjectivities and filtered truths. With this in mind, the ﬁlm leads us into a hypnotic experience that takes our senses to the position of subjects, part of the cast, dancing in slow motion, a waltz with these signs.
Installation shots: Photodocumenta






	
&#60;img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6f74813208ff53e06299b4376b2ddf2af26cc1bbd3608c401349f1399027e7ca/IMG_3809.jpeg" data-mid="110073208" border="0"  src="https://freight.cargo.site/w/1000/i/6f74813208ff53e06299b4376b2ddf2af26cc1bbd3608c401349f1399027e7ca/IMG_3809.jpeg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/7999e5fb976fd879a39e342d70ac8ee881acb9067c78e5794eddcbfc4426e02c/6f7a72d8-86f8-4e9f-97ad-e697fc253962.jpeg" data-mid="169458152" border="0"  src="https://freight.cargo.site/w/1000/i/7999e5fb976fd879a39e342d70ac8ee881acb9067c78e5794eddcbfc4426e02c/6f7a72d8-86f8-4e9f-97ad-e697fc253962.jpeg" /&#62;
&#60;img width="1920" height="1440" width_o="1920" height_o="1440" data-src="https://freight.cargo.site/t/original/i/9f22609f02522c4ac9ffca1a8e218697a5cd78499255622aeff3e43ec2deeddd/PHOTO-2020-11-13-12-36-33.jpg" data-mid="169458153" border="0"  src="https://freight.cargo.site/w/1000/i/9f22609f02522c4ac9ffca1a8e218697a5cd78499255622aeff3e43ec2deeddd/PHOTO-2020-11-13-12-36-33.jpg" /&#62;
&#60;img width="2726" height="1682" width_o="2726" height_o="1682" data-src="https://freight.cargo.site/t/original/i/83bffdbecb85a8b6a353fd5efae6aab10c34dc080c58cc84194ff0755c3be2fe/PEStill2.png" data-mid="172430225" border="0"  src="https://freight.cargo.site/w/1000/i/83bffdbecb85a8b6a353fd5efae6aab10c34dc080c58cc84194ff0755c3be2fe/PEStill2.png" /&#62;
&#60;img width="1500" height="2122" width_o="1500" height_o="2122" data-src="https://freight.cargo.site/t/original/i/6e75a89fe6a71ffabc8b0b8af49fca9de1fa6d7cff287809f35cffd6edc584b0/I-Will-Take-the-Risk.jpeg" data-mid="169550004" border="0"  src="https://freight.cargo.site/w/1000/i/6e75a89fe6a71ffabc8b0b8af49fca9de1fa6d7cff287809f35cffd6edc584b0/I-Will-Take-the-Risk.jpeg" /&#62;

	I Will Take The Risk, 2020
at AZAN Space, Lisbon
part of Lisbon Art Weekend
Curated by Tomaz Hipólito&#38;nbsp;


Perpetual Explosion, 2020Video, 4mPerpetual Explosion observes the actions involved with closing a shift at working in a petrol station and offers a new and final act that threatens the understanding of the event -- the act leads us to reflect on economies of value.What would happen if the chain is broken? Is the small act of rupturing everyday ritual(s) of consumption/production in itself an act of exorcism, insurgence?
Installation shots: Paulo Dinis




	
&#60;img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6aef61b66e8881a302ad2c4165cbaad2b4fda2090e219975538ec951973e6b2c/eeeeee.jpg" data-mid="156666516" border="0"  src="https://freight.cargo.site/w/1000/i/6aef61b66e8881a302ad2c4165cbaad2b4fda2090e219975538ec951973e6b2c/eeeeee.jpg" /&#62;
&#60;img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/4f83487b2962a7391184569ab54a8c9b3fbf15ed88d554a49f22c2444cf3f74f/_MG_1841ee.jpg" data-mid="110074426" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/4f83487b2962a7391184569ab54a8c9b3fbf15ed88d554a49f22c2444cf3f74f/_MG_1841ee.jpg" /&#62;

	CSM Open studios, 2019
at Central Saint Martins, LondonPreyer, 2019 &#38;nbsp; Fisting dildo and eye examination slides on a light pad80 x 50 x 40cmAn urge to cross two symbols — the interior of vision(s) and its nerves, and the praying hand of fetish&#38;nbsp; — and laying them in the same examination layer. The light pad gives life to the images taken through the holes in the eyes, when pupils are stretched. The light pad also gives the illusion that the hole-stretching hands are levitating from the brightness.At being positioned on the floor, where the sex toy would probably be, I call the viewers to put their faces closer to the floor and their eyes down, in a similar position to praying, or playing… To examine ideas of stretch.






	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/19cdd7e76bc35a8155302379f99a00adfe340befa953656f821dbceef36fe5b0/Screen-Shot-2015-01-09-at-20.32.28.png" data-mid="169460562" border="0"  src="https://freight.cargo.site/w/1000/i/19cdd7e76bc35a8155302379f99a00adfe340befa953656f821dbceef36fe5b0/Screen-Shot-2015-01-09-at-20.32.28.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a8afaa7caf17af082fc757f45f2e9b6896b22600266b8aaaab2f2e5eaf2a6124/Screen-Shot-2015-01-09-at-20.30.13.png" data-mid="169460520" border="0"  src="https://freight.cargo.site/w/1000/i/a8afaa7caf17af082fc757f45f2e9b6896b22600266b8aaaab2f2e5eaf2a6124/Screen-Shot-2015-01-09-at-20.30.13.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7a7c39b6b46456dc5214562cb0ec6afefe9cbf7568bf561cceedbce8072080b0/Screen-Shot-2015-01-09-at-20.33.13.png" data-mid="169460564" border="0"  src="https://freight.cargo.site/w/1000/i/7a7c39b6b46456dc5214562cb0ec6afefe9cbf7568bf561cceedbce8072080b0/Screen-Shot-2015-01-09-at-20.33.13.png" /&#62;

&#60;img width="1198" height="636" width_o="1198" height_o="636" data-src="https://freight.cargo.site/t/original/i/a7862db54407650798464f13230608600bdfa41b9c9af6eed8e849f3c263a13f/Screenshot-2018-11-18-at-19.27.41.png" data-mid="169460495" border="0"  src="https://freight.cargo.site/w/1000/i/a7862db54407650798464f13230608600bdfa41b9c9af6eed8e849f3c263a13f/Screenshot-2018-11-18-at-19.27.41.png" /&#62;
	Come Together: Tate Exchange, 2019at TATE Modern, London
CareFull, 2015Video, 3mA Dance between a fly and an eye, conversing through spasmic codes.ProGlide, 2014Video, 4mA Dance between blades, using the throat’s interior and exterior as its stage.


 &#38;nbsp;
	
&#60;img width="3651" height="4868" width_o="3651" height_o="4868" data-src="https://freight.cargo.site/t/original/i/9c423a3ae4a76ec8c2a7670bcc663cf99d8e3c9495987b04c7f2e005f94d1614/007a02d4-836e-49de-9fe1-17508f88139e.jpeg" data-mid="156666324" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/9c423a3ae4a76ec8c2a7670bcc663cf99d8e3c9495987b04c7f2e005f94d1614/007a02d4-836e-49de-9fe1-17508f88139e.jpeg" /&#62;
&#60;img width="3651" height="4868" width_o="3651" height_o="4868" data-src="https://freight.cargo.site/t/original/i/4f19dd92d6bc5fe3829eb8a0fddb369ed586a09544611da891fce2e4e3324c96/5118f53a-8477-4d84-986d-58e2ffee9894.jpeg" data-mid="156666290" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/4f19dd92d6bc5fe3829eb8a0fddb369ed586a09544611da891fce2e4e3324c96/5118f53a-8477-4d84-986d-58e2ffee9894.jpeg" /&#62;

	CSM SOUND EVENT, 2019at central saint martins, londonChoir (2018)PostersDimensions variable





	
&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/f28c8beb2d5a58426628be4a5f247fa85f5604f23bf4bd4b1f0435bc7d3e6d69/2a-copy.jpg" data-mid="156666215" border="0"  src="https://freight.cargo.site/w/1000/i/f28c8beb2d5a58426628be4a5f247fa85f5604f23bf4bd4b1f0435bc7d3e6d69/2a-copy.jpg" /&#62;
&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/37a77ffab09d0af36d9a60090596722383aa508c29f63272c6ab151783f603e3/3a-copy.jpg" data-mid="156666186" border="0"  src="https://freight.cargo.site/w/1000/i/37a77ffab09d0af36d9a60090596722383aa508c29f63272c6ab151783f603e3/3a-copy.jpg" /&#62;
&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/b394ea47a8918c865cf30b331a421e8a9c2de3eafe3d95b4a27cc297a2d058e7/6b-copy.jpg" data-mid="156666143" border="0"  src="https://freight.cargo.site/w/1000/i/b394ea47a8918c865cf30b331a421e8a9c2de3eafe3d95b4a27cc297a2d058e7/6b-copy.jpg" /&#62;
&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/cf6f35621177b27800668fea5d14667c5b0fc5d16f98c1e6034fc046f6af7904/7b-copy.jpg" data-mid="156666139" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/cf6f35621177b27800668fea5d14667c5b0fc5d16f98c1e6034fc046f6af7904/7b-copy.jpg" /&#62;
&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/3b234534267f2b9713817ce59638e50f2a7186907a7d8e5766a056b79d121b78/75.JPG" data-mid="156666205" border="0"  src="https://freight.cargo.site/w/1000/i/3b234534267f2b9713817ce59638e50f2a7186907a7d8e5766a056b79d121b78/75.JPG" /&#62;
&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/e1b308718395fe9ae5d9ad28da7a47e1671ccb4cbedb7db2730a86153cc3f5ba/5d-copy.jpg" data-mid="110074515" border="0"  src="https://freight.cargo.site/w/1000/i/e1b308718395fe9ae5d9ad28da7a47e1671ccb4cbedb7db2730a86153cc3f5ba/5d-copy.jpg" /&#62;
&#60;img width="2304" height="3456" width_o="2304" height_o="3456" data-src="https://freight.cargo.site/t/original/i/12589a89242c7ee12ec738821ef5cd2e6085975baf5989c61b20980059c2b7d6/1A.jpg" data-mid="156666134" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/12589a89242c7ee12ec738821ef5cd2e6085975baf5989c61b20980059c2b7d6/1A.jpg" /&#62;
&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/c98f813f53ab6ab72388aebc5fc8b5b9fd298ae4093a265fb356d0590c706d50/4a-copy.jpg" data-mid="156666187" border="0"  src="https://freight.cargo.site/w/1000/i/c98f813f53ab6ab72388aebc5fc8b5b9fd298ae4093a265fb356d0590c706d50/4a-copy.jpg" /&#62;

	Wonky Donky, 2018at Camberwell College of Arts, London

Lens, Chalice, Censer, 2018Contact lenses, needles, eye examinations and candles on acrylic display supports.Installation, Dimensions variable.





	
&#60;img width="493" height="495" width_o="493" height_o="495" data-src="https://freight.cargo.site/t/original/i/7bdad067a2bedf65e655fb0ac048109c49a18549b5de988d3824700beb129456/Screenshot-2019-11-06-at-20.47.14.png" data-mid="156666036" border="0"  src="https://freight.cargo.site/w/493/i/7bdad067a2bedf65e655fb0ac048109c49a18549b5de988d3824700beb129456/Screenshot-2019-11-06-at-20.47.14.png" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8b3fc2f1b0ad08b9cb494abf1b7d432e66adeb15e05834caae95a6785b14e6af/5h.jpg" data-mid="156666040" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/8b3fc2f1b0ad08b9cb494abf1b7d432e66adeb15e05834caae95a6785b14e6af/5h.jpg" /&#62;
&#60;img width="1080" height="1082" width_o="1080" height_o="1082" data-src="https://freight.cargo.site/t/original/i/cee5c42d9c38d86e0cf3aea42309582d3b6f4cd8ef118f55168f7161017df080/3h.jpg" data-mid="156666033" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/cee5c42d9c38d86e0cf3aea42309582d3b6f4cd8ef118f55168f7161017df080/3h.jpg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dac729dae4350513fd1bbf2f1e3be53a0344d90a5f4f38a823c3a572c0d2490f/2h.jpg" data-mid="156666023" border="0"  src="https://freight.cargo.site/w/1000/i/dac729dae4350513fd1bbf2f1e3be53a0344d90a5f4f38a823c3a572c0d2490f/2h.jpg" /&#62;

	Crypt O’ Night, 2017at&#38;nbsp;Saint Giles Church, London,(O)´ , 2017Metal nails on fluorescent light45 x 15 x 45 cm


	© David Leal
	
	Email, &#38;nbsp;Instagram
</description>
		
	</item>
		
		
	<item>
		<title>Other Projects</title>
				
		<link>https://davidleal.net/Other-Projects</link>

		<pubDate>Tue, 01 Jun 2021 12:11:15 +0000</pubDate>

		<dc:creator>David Leal</dc:creator>

		<guid isPermaLink="true">https://davidleal.net/Other-Projects</guid>

		<description>DAVID LEALSELECTED exhibitionsCV

	
&#60;img width="2400" height="1350" width_o="2400" height_o="1350" data-src="https://freight.cargo.site/t/original/i/817fe2d7464acca5a8bcb37bd1e7395c5c9832b2f44cb3e72c194f54885786f4/BRT_REVISTA_VOL195-2.png" data-mid="201395202" border="0"  src="https://freight.cargo.site/w/1000/i/817fe2d7464acca5a8bcb37bd1e7395c5c9832b2f44cb3e72c194f54885786f4/BRT_REVISTA_VOL195-2.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/4c0fb45cb4020eb87f87abdbfeba2880b240c9ecfac99f4ea9be71835238b354/321321440_685864376375186_5747479275832209846_n.jpg" data-mid="201395201" border="0"  src="https://freight.cargo.site/w/1000/i/4c0fb45cb4020eb87f87abdbfeba2880b240c9ecfac99f4ea9be71835238b354/321321440_685864376375186_5747479275832209846_n.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9d978487fdd6fea046c971a45298e7ddfd86e1561c88d0812273b770967da2d3/321207044_121064774173890_7838617909977923648_n.jpg" data-mid="201395200" border="0"  src="https://freight.cargo.site/w/1000/i/9d978487fdd6fea046c971a45298e7ddfd86e1561c88d0812273b770967da2d3/321207044_121064774173890_7838617909977923648_n.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/dc2c986819d19209e362f6da6ed674bbec50d77419af833c58990a8b59fa5b38/321175726_1144893072828922_2792088490311881496_n.jpg" data-mid="201395199" border="0"  src="https://freight.cargo.site/w/1000/i/dc2c986819d19209e362f6da6ed674bbec50d77419af833c58990a8b59fa5b38/321175726_1144893072828922_2792088490311881496_n.jpg" /&#62;

	Spasmus spei - revista brotéria
Visual essay for Brotéria Magazine
December 2022(Here pages 1, 3 &#38;amp; 5)




	&#60;img width="2071" height="1490" width_o="2071" height_o="1490" data-src="https://freight.cargo.site/t/original/i/8804d10698ade0326d1c09ad260d30f4add2c68580ff4247b4d0566ec96593c0/New-Project.jpg" data-mid="156661261" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/8804d10698ade0326d1c09ad260d30f4add2c68580ff4247b4d0566ec96593c0/New-Project.jpg" /&#62;
	The Spiritual Excercises 2 - David Leal + Nina Danino
Collaboration with artist Nina Danino for the virtual exhbition The Spiritual Exercises 2, curated by Mark Dean
Left: Nina Danino alongside La Dolce Vita (1960)Right: David Leal inside the Collegiate Church of St Mary, Warwick


	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/fa45bc91fc5b3daf8735a4d63c631951ccd3d6987bae5781dca8fac00bebb1a3/a2090746963_10.jpeg" data-mid="123495291" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/fa45bc91fc5b3daf8735a4d63c631951ccd3d6987bae5781dca8fac00bebb1a3/a2090746963_10.jpeg" /&#62;
	CSM Eater Open Studio AlbumWorks:
Customer's Monologue (Soho, 2017) - David Leal 07:34Pedestrian - David Leal 05:44


	&#60;img width="1300" height="945" width_o="1300" height_o="945" data-src="https://freight.cargo.site/t/original/i/fb742b1518a83e42ee8267568ec30686f8b9bdc442eed98d278aa5300be82ff9/91420963-christian-cross-and-speech-bubble-on-white-background-3d-rendering-copy.jpg" data-mid="110079493" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/fb742b1518a83e42ee8267568ec30686f8b9bdc442eed98d278aa5300be82ff9/91420963-christian-cross-and-speech-bubble-on-white-background-3d-rendering-copy.jpg" /&#62;
	The Spiritual Exercises, 2020at artschaplaincy.net

Work:

BAT (Conversation), 20203mIn my appointment for the COVID-19 vaccine trial, I found myself imagining a conversation. The content and the participants were full of variables, yet these questions kept that image. I used stock images to stress the idea that what we see in the video is less a representation and more a symbolic illustration.
https://artschaplaincy.net/projects/index/the-spiritual-exercises/
https://artschaplaincy.net/projects/david-leal/


	
&#60;img width="3651" height="4868" width_o="3651" height_o="4868" data-src="https://freight.cargo.site/t/original/i/c245d668d667cab6b4ac3c050828e65049ed09800e0d6f4a57e67a3b2ff991d6/cf3ecf13-b634-435e-b441-5d4ebd03fd87.jpeg" data-mid="156611503" border="0"  src="https://freight.cargo.site/w/1000/i/c245d668d667cab6b4ac3c050828e65049ed09800e0d6f4a57e67a3b2ff991d6/cf3ecf13-b634-435e-b441-5d4ebd03fd87.jpeg" /&#62;
&#60;img width="3508" height="4693" width_o="3508" height_o="4693" data-src="https://freight.cargo.site/t/original/i/83eb6b6afbede057acc16034aa310a1ed6c1a05933447a0c932c3a1d437668d3/prayerservice.jpg" data-mid="110080373" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/83eb6b6afbede057acc16034aa310a1ed6c1a05933447a0c932c3a1d437668d3/prayerservice.jpg" /&#62;

	TATE Exchange, 2020

at tate modern, london

Work:

Prayer Delivery Service, 2020https://www.tate.org.uk/whats-on/tate-modern/tate-exchange/workshop/sale




	
&#60;img width="750" height="562" width_o="750" height_o="562" data-src="https://freight.cargo.site/t/original/i/9d8eb65a5b783b9ae28122e06dd05bcfe444fc9c9308587f0108cd56e35f456c/E5-spread-16-en.jpeg" data-mid="156610786" border="0"  src="https://freight.cargo.site/w/750/i/9d8eb65a5b783b9ae28122e06dd05bcfe444fc9c9308587f0108cd56e35f456c/E5-spread-16-en.jpeg" /&#62;
&#60;img width="1698" height="2360" width_o="1698" height_o="2360" data-src="https://freight.cargo.site/t/original/i/bbfca8172cdbe656446a4e495154f3c0a2f73c7020bebfc292792f2b501ac217/FInal.jpg" data-mid="156610887" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bbfca8172cdbe656446a4e495154f3c0a2f73c7020bebfc292792f2b501ac217/FInal.jpg" /&#62;

	ELECTRA 5: YOUTH

Fundus, 201921 × 29 cmScanner collagefor Electra Magazinehttps://www.fundacaoedp.pt/en/news/electra-5-youth-central-theme-fifth-issue-electra-magazine


	© David Leal
	
	Email, &#38;nbsp;Instagram
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		<title>CV</title>
				
		<link>https://davidleal.net/CV</link>

		<pubDate>Fri, 28 May 2021 14:07:25 +0000</pubDate>

		<dc:creator>David Leal</dc:creator>

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		<description>DAVID LEALSELECTED exhibitionsOTHER PROJECTS
	CV
 

Education &#38;nbsp;

(2018-2021) BA (Hons) Fine Art, Central Saint Martins - UAL, London, UK 

Masterclasses / Residências 

2022-2023 -&#38;nbsp; Working With Waste, IKF, at Film University Babelsberg, DE (Mentor: James Richards)
2022 - (Un)Romantic Sex, Maumaus, PT

Awards 
Project Support Program - Internationalisation Grant, DGARTES, 2023, PT

International Circulation Grant, Calouste Gulbenkian Foundation, 2023, PT

Selected for the Bloomberg New Contemporaries 2021, UK

Selected for “Artists in early career stage” category, Center.Stage, RU

Shortlisted for Metro Imaging x Made in Arts London Mentorship 2021, UK

Shortlisted for the Mead Fellowship Awards 2021, UK


Collections
 Private collections: UK, PT, USA


Solo/Duo Exhibitions 
Eye Contact, 2025, at Teodoro W., Porto, PT

The Nerve, 2024, at Salto, Lisbon, PT
LÂMINA, 2024, at Casa do Comum, Lisbon, PT


Selected Group Exhibitions 

9th Edition CDL, 2024, at Casa da Dona Laura, Lisbon, PT
MEANS, 2023, at Bermondsey Project Space, London, UK
CONFESSIONS, 2023, at Lismore Castle Arts, Lismore, IE

Estudo do Meio (18+), 2023, with Purga, at Carpintarias de São Lázaro, Lisbon, PT 
Mostra Nacional de Jovens Criadores, 2023, Gerador, Vila do Conde, PT

Tom of Finland Art and Culture Festival, 2022, with Ridley Road Project Space, at Second Home, London, UK 
Staying Alive, 2022, at DuplexAIR, Lisbon, PT 

MELTDOWN, 2022, at Ridley Road Project Space, London, UK 


The Voices Film Series Presents: Queer Stories, 2022, at Bermondsey Project Space, London, UK 
Bloomberg New Contemporaries 2021, at South London Gallery, London, UK
Entre o Real e a Imagem, 2021, at Casa do Capitão, Lisbon, PT

Bloomberg New Contemporaries 2021, at Firstsite Art Gallery, Colchester, UK

A Hunted Time, 2021, at Casa do Capitão, Lisbon, PT

SPNDRFT, 2021, at ArtSect Gallery, London, UK

I WILL TAKE THE RISK, 2020, at AZAN space, part of LisbonArtWeekend, Lisbon, PT
SALE: Tate Exchange 2020, at Tate Modern, London, UK

Come Together: Tate Exchange 2019, at Tate Modern, London, UK

Wonky Donky, 2018, at Camberwell College of Arts, London, UK

Crypt O' Night, 2017 at Saint Giles Church, London, UK


Screenings 
Convoluted (Artificial Sorry &#38;gt; Church Intelligence) (2023), 2024, at Queer Film Festival 2024, Porto, PT
Convoluted (Artificial Sorry &#38;gt; Church Intelligence) (2023), 2024, at TACO!, London, UK
The Painter (2016), 2023, at Salto, Lisbon, PT


You are a letter, written not with ink, but with the Spirit (2019), 2019, at Brotéria - Cineclube Aberto, Lisbon, PT
You are a letter, written not with ink, but with the Spirit (2019), 2019, at Queer Film Festival 2019, Lisbon, PT
Online/Radio&#38;nbsp;

FN/S002, FIELDNOTES, 2022. A radio broadcast at https://https://fieldnotes.site/audio/ 

David Leal + Nina Danino, The Spiritual Exercises 2, 2021. A collaboration with the artist Nina Danino at https://artschaplaincy.net/projects/david-leal-nina-danino/ 

Speaking in Tongues, 2020, part of a performance-based project devised by Fine Art students of Central Saint Martins developed in a partnership with The
National Gallery, London’s Learning &#38;amp; National Programmes. 
The Spiritual Exercises, 2020, at https://artschaplaincy.net/projects/index/the-spiritual-exercises/


Talks 

In Conversation: Christopher Bond and David Leal: 05/07/2022. Hosted by Art/Work Association (A/WA) and AutoItalia, London, UK. 

Religion &#38;amp; Art Forum, Session 6: 18/10/2021. Hosted by the Art Department, Goldsmiths and moderated by Nina Danino (Goldsmiths College) &#38;amp; Mark Dean (Arts 
Chaplaincy Projects). At https://religionandart.org/Session-6 



Press
Fucking Young! #25, 2025, TELEVISION https://fuckingyoung.es/store/

Fucking Young! #24, 2024, HEARTBREAK https://fuckingyoung.es/store/

Brotéria: Dezembro 2022, visual essay Spasmus SpeiPilot Press: Responses to Pale 
Blue Dot (1990) by Voyager, https://https://www.pilotpress.co.uk/catalogue Conversations Zine, https://conversationszine.bigcartel.com/product/conversations-zine 

Electra Magazine 5: YOUTH, https://www.fundacaoedp.pt/en/content/electra-magazine



	© David Leal
	
	Email, &#38;nbsp;Instagram
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